“Dr Anna-Sophie Jürgens walks the tightrope between pop culture and science” by Olivia Congdon, ANU College of Science (2023).
– Monographs –
Judd, K., Gaul, B. and A.-S. Jürgens (2025): Women Scientists in American Television Comedy: Beakers, Big Bangs and Broken Hearts. Palgrave Macmillan.
Jürgens, A.-S. (2016): Poetik des Zirkus – Die Ästhetik des Hyperbolischen im Roman (Poetics of the Circus – Hyperbolic Aesthetics in Fiction). Heidelberg: Winter, 453 pages.
– Edited collections & special themed journal issues –
Hemkendreis, A. and A.-S. Jürgens (Eds.) (2024): Communicating Ice through Popular Art and Aesthetics. Palgrave Macmillan.
Jürgens, A.-S. and Mirjam Hildbrand (Eds.) (2022): Circus and the Avant-Gardes: History, Imaginary, Innovation. New York: Routledge.
Jürgens, A.-S. (Ed.) (2020): Circus, Science and Technology: Dramatising Innovation. Cham: Palgrave Macmillan.
Special themed journal issue on “Violent Clowns”, guest editorial by A.-S. Jürgens | Comedy Studies 11/1 (2020) (online 2019), 14 papers.
Special themed journal issue on popular performance, guest editorial by A.-S. Jürgens | Journal of Science & Popular Culture (peer-reviewed, 2020), 10 papers on “Popular Performance & Science”.
Fuchs, Margarete, Jürgens, A.-S., Schuster, Jörg (Eds.) (2020): Manegenkünste – Zirkus als ästhetisches Modell. Bielefeld: transcript.
Jürgens, A.-S., Wierschem, M. (Eds.) (2017): Patterns of Dis|Order – Beiträge zur Kulturgeschichte der Un|Ordnung. Münster: LIT Verlag, 398 pages.
Jürgens, A.-S., Tesche, T. (Eds.) (2015): LaborARTorium – Forschung im Denkraum zwischen Wissenschaft und Kunst (LaborARTory – Research in between Science and Art). Bielefeld: transcript, 336 pages.
